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The Deep Green Resistance News Service is an educational wing of the DGR movement. We cover a wide range of contemporary issues from a biocentric perspective, with a focus on ecology, feminism, indigenous issues, strategy, and civilization. We publish news, opinion, interviews, analysis, art, poetry, first-hand stories, and multimedia.

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03.05.2025 à 18:44

DGR News Service

Texte intégral (2282 mots)

Editor’s note: “A new report from Harvard’s Electricity Law Initiative says unless something changes, all U.S. consumers will pay billions of dollars to build new power plants to serve Big Tech.

Data centers are forecast to account for up to 12% of all U.S. electricity demand by 2028. They currently use about 4% of all electricity.

Historically, costs for new power plants, power lines and other infrastructure is paid for by all customers under the belief that everyone benefits from those investments.

‘But the staggering power demands of data centers defy this assumption,’ the report argues.”

AI burns through a lot of resources. And thanks to a paradox first identified way back in the 1860s, even a more energy-efficient AI is likely to simply mean more energy is used in the long run.

For most users, “large language models” such as OpenAI’s ChatGPT work like intuitive search engines. But unlike regular web-searches that find and retrieve data from anywhere along a global network of servers, AI models return data they’ve generated from scratch. Like powering up a nuclear reactor to use a calculator, this tailored process is very inefficient.

This move is part of a national trend. The data center industry is booming all over, from Virginia to Texas to Oregon, and utilities across the country are responding by building new fossil fuel resources or delaying retirements, all at a time when scientists agree that cutting fossil fuel emissions is more urgent than ever. More than 9,000 MW of fossil fuel generation slated for closure has been delayed or is at risk of delay, and more than 10,800 MW of new fossil fuel generation has been planned, according to the sustainability research and policy center Frontier Group.

The backslide into fossil fuels is alarming to environmental and consumer advocates, and not only because it stands to slow down climate action and extend the harmful effects of fossil fuel use. Some also question the purported growth in demand — meaning utilities could be doubling down on climate-warming coal and gas to meet energy demand that won’t actually materialize.”

Why Mississippi coal is powering Georgia’s data centers

By M.V. Ramana / COUNTERPUNCH

One bright spot amidst all the terrible news last couple of months was the market’s reaction to DeepSeek, with BigTech firms like Nvidia and Microsoft and Google taking major hits in their capitalizations. Billionaires Nvidia’s Jensen Huang and Oracle’s Larry Ellison—who had, just a few days back, been part of Donald Trump’s first news conference—lost a combined 48 billion dollars in paper money. As a good friend of mine, who shall go unnamed because of their use of an expletive, said “I hate all AI, but it’s hard to not feel joy that these asshats are losing a lot of money.”

Another set of companies lost large fractions of their stock valuations: U.S. power, utility and natural gas companies. Electric utilities like Constellation, Vistra and Talen had gained stock value on the basis of the argument that there would be a major increase in demand for energy due to data centers and AI, allowing them to invest in new power plants and expensive nuclear projects (such as small modular reactor), and profit from this process. [The other source of revenue, at least in the case of Constellation, was government largesse.] The much lower energy demand from DeepSeek, at least as reported, renders these plans questionable at best.

Remembering Past Ranfare

But we have been here before. Consider, for example, the arguments made for building the V. C. Summer nuclear project in South Carolina. That project came out of the hype cycle during the first decade of this century, during one of the many so-called nuclear renaissances that have been regularly announced since the 1980s. [In 1985, for example, Oak Ridge National Laboratory Director Alvin Weinberg predicted such a renaissance and a second nuclear era—that is yet to materialize.] During the hype cycle in the first decade of this century, utility companies proposed constructing more than 30 reactors, of which only four proceeded to construction. Two of these reactors were in South Carolina.

As with most nuclear projects, public funding was critical. The funding came through the 2005 Energy Policy Act, the main legislative outcome from President George W. Bush’s push for nuclear power, which offered several incentives, including production tax credits that were valued at approximately $2.2 billion for V. C. Summer.

The justification offered by the CEO of the South Carolina Electric & Gas Company to the state’s Public Service Commission was the expectation that the company’s energy sales would increase by 22 percent between 2006 and 2016, and by nearly 30 percent by 2019. In fact, South Carolina Electric & Gas Company’s energy sales declined by 3 percent by the time 2016 rolled in. [Such mistakes are standard in the history of nuclear power. In the 1970s, the U.S. Atomic Energy Commission and utility companies were projecting that “about one thousand large nuclear power reactors” would be built “by the year 2000 and about two thousand, mostly breeder reactors, by 2010” on the basis of the grossly exaggerated estimates of how rapidly electricity production would grow during the same period. It turned out that “utilities were projecting four to nine times more electric power would be produced in the United States by nuclear power in 2000 than actually happened”.] In the case of South Carolina, the wrong projection about energy sales was the basis of the $9 billion plus spent on the abandoned V. C. Summer project.

The Racket Continues

With no sense of shame for that failure, one of the two companies involved in that fiasco recently expressed an interest in selling this project. On January 22, Santee Cooper’s President and CEO wrote, “We are seeing renewed interest in nuclear energy, fueled by advanced manufacturing investments, AI-driven data center demand, and the tech industry’s zero-carbon targets…Considering the long timelines required to bring new nuclear units online, Santee Cooper has a unique opportunity to explore options for Summer Units 2 and 3 and their related assets that could allow someone to generate reliable, carbon emissions-free electricity on a meaningfully shortened timeline”.

A couple of numbers to put those claims about timelines in perspective: the average nuclear reactor takes about 10 years to go from the beginning of construction—usually marked by when concrete is poured into the ground—to when it starts generating electricity. But one cannot go from deciding to build a reactor to pouring concrete in the ground overnight. It takes about five to ten years needed before the physical activities involved in building a reactor to obtain the environmental permits, and the safety evaluations, carry out public hearings (at least where they are held), and, most importantly, raise the tens of billions of dollars needed. Thus, even the “meaningfully shortened timeline” will mean upwards of a decade.

Going by the aftermath of the Deepseek, the AI and data center driven energy demand bubble seems to have crashed on a timeline far shorter than even that supposedly “meaningfully shortened timeline”. There is good reason to expect that this AI bubble wasn’t going to last, for there was no real business case to allow for the investment of billions. What DeepSeek did was to also show that the billions weren’t needed. As Emily Bender, a computer scientist who co-authored the famous paper about large language models that coined the term stochastic parrots, put it: “The emperor still has no clothes, but it’s very distressing to the emperor that their non-clothes can be made so much more cheaply.”

But utility companies are not giving up. At a recent meeting organized by the Nuclear Energy Institute, the lobbying organization for the nuclear industry, the Chief Financial Officer of Constellation Energy, the company owning the most nuclear reactors in the United States, admitted that the DeepSeek announcement “wasn’t a fun day” but maintained that it does not “change the demand outlook for power from the data economy. It’s going to come.” Likewise, during an “earnings call” earlier in February, Duke Energy President Harry Sideris maintained that data center hyperscalers are “full speed ahead”.

Looking Deeper

Such repetition, even in the face of profound questions about whether such a growth will occur, is to be expected, for it is key to the stock price evaluations and market capitalizations of these companies. The constant reiteration of the need for more and more electricity and other resources also adopts other narrative devices shown to be effective in a wide variety of settings, for example, pointing to the possibility that China would take the lead in some technological field or the other, and explicitly or implicitly arguing how utterly unacceptable that state of affairs would be. Never asking whether it even matters who wins this race for AI. These tropes and assertions about running out of power contribute to creating the economic equivalent of what Stuart Hall termed “moral panic”, thus allowing possible opposition to be overruled.

One effect of this slew of propaganda has been the near silence on the question of whether such growth of data centers or AI is desirable, even though there is ample evidence of the enormous environmental impacts of developing AI and building hyperscale data centers. Or for that matter the desirability of nuclear power.

As Lewis Mumford once despaired: “our technocrats are so committed to the worship of the sacred cow of technology that they say in effect: Let the machine prevail, though the earth be poisoned, the air be polluted, the food and water be contaminated, and mankind itself be condemned to a dreary and useless life, on a planet no more fit to support life than the sterile surface of the moon”.

But, of course, we live in a time of monsters. At a time when the levers of power are wielded by a megalomaniac who would like to colonize Mars, and despoil its already sterile environment.

M. V. Ramana is the Simons Chair in Disarmament, Global and Human Security at the School of Public Policy and Global Affairs, University of British Columbia and the author of The Power of Promise: Examining Nuclear Energy in India.

Photo by Tim van der Kuip on Unsplash

27.04.2025 à 20:16

DGR News Service

Texte intégral (2141 mots)

Editor’s note: “I think we’re in the midst of a collapse of civilization, and we’re definitely in the midst of the end of the American empire. And when empires start to fail, a lot of people get really crazy. In The Culture of Make Believe, I predicted the rise of the Tea Party. I recognized that in a system based on competition and where people identify with the system, when times get tough, they wouldn’t blame the system, but instead, they would indicate it’s the damn Mexicans’ fault or the damn black people’s fault or the damn women’s fault or some other group. The thing that I didn’t predict was that the Left would go insane in its own way. I anticipated the rise of an authoritarian Right, but not authoritarianism more generally, to which the Left is not immune. The collapse of empire results in increased insecurity and the demand for stability. The cliché about Mussolini is that he made the trains run on time, that he brought about stability.” – Derrick Jensen

It’s not just stupid people. People can be very smart as individuals, but collectively we are stupid. Postmodernism is a case in point. It starts with a great idea, that we are influenced by the stories we’re told and the stories we’re told are influenced by history. It begins with the recognition that history is told by the winners and that the history we were taught through the 1940s, 50s and 60s was that manifest destiny is good, civilization is good, expanding humanity is good. Exemplary is the 1962 film How the West Was Won. It’s extraordinary in how it regards the building of dams and expansion of agriculture as simply great. Postmodernism starts with the insight that such a story is influenced by who has won, which is great, but then it draws the conclusion that nothing is real and there are only stories.

“This is the cult-like behavior of the postmodern left: if you disagree with any of the Holy Commandments of postmodernism/queer theory/transgender ideology, you must be silenced on not only that but on every other subject. Welcome to the death of discourse, brought to you by the postmodern left.”

Derrick Jensen on Postmodernism and His First European Tour

 

Explainer: what is postmodernism?

Daniel Palmer, Monash University

I once asked a group of my students if they knew what the term postmodernism meant: one replied that it’s when you put everything in quotation marks. It wasn’t such a bad answer, because concepts such as “reality”, “truth” and “humanity” are invariably put under scrutiny by thinkers and “texts” associated with postmodernism.

Postmodernism is often viewed as a culture of quotations.

Take Matt Groening’s The Simpsons (1989–). The very structure of the television show quotes the classic era of the family sitcom. While the misadventures of its cartoon characters ridicule all forms of institutionalised authority – patriarchal, political, religious and so on – it does so by endlessly quoting from other media texts.

This form of hyperconscious “intertextuality” generates a relentlessly ironic or postmodern worldview.

Relationship to modernism

The difficulty of defining postmodernism as a concept stems from its wide usage in a range of cultural and critical movements since the 1970s. Postmodernism describes not only a period but also a set of ideas, and can only be understood in relation to another equally complex term: modernism.

Modernism was a diverse art and cultural movement in the late 19th and early 20th centuries whose common thread was a break with tradition, epitomised by poet Ezra Pound’s 1934 injunction to “make it new!”.

The “post” in postmodern suggests “after”. Postmodernism is best understood as a questioning of the ideas and values associated with a form of modernism that believes in progress and innovation. Modernism insists on a clear divide between art and popular culture.

But like modernism, postmodernism does not designate any one style of art or culture. On the contrary, it is often associated with pluralism and an abandonment of conventional ideas of originality and authorship in favour of a pastiche of “dead” styles.

Postmodern architecture

The shift from modernism to postmodernism is seen most dramatically in the world of architecture, where the term first gained widespread acceptance in the 1970s.

One of the first to use the term, architectural critic Charles Jencks suggested the end of modernism can be traced to an event in St Louis on July 15, 1972 at 3:32pm. At that moment, the derelict Pruitt-Igoe public housing project was demolished.

Built in 1951 and initially celebrated, it became proof of the supposed failure of the whole modernist project.

Jencks argued that while modernist architects were interested in unified meanings, universal truths, technology and structure, postmodernists favoured double coding (irony), vernacular contexts and surfaces. The city of Las Vegas became the ultimate expression of postmodern architecture.

Famous theorists

Theorists associated with postmodernism often used the term to mark a new cultural epoch in the West. For philosopher Jean-François Lyotard, the postmodern condition was defined as “incredulity towards metanarratives”; that is, a loss of faith in science and other emancipatory projects within modernity, such as Marxism.

Marxist literary theorist Fredric Jameson famously argued postmodernism was “the cultural logic of late capitalism” (by which he meant post-industrial, post-Fordist, multi-national consumer capitalism).

In his 1982 essay Postmodernism and Consumer Society, Jameson set out the major tropes of postmodern culture.

These included, to paraphrase: the substitution of pastiche for the satirical impulse of parody; a predilection for nostalgia; and a fixation on the perpetual present.

In Jameson’s pessimistic analysis, the loss of historical temporality and depth associated with postmodernism was akin to the world of the schizophrenic.

Postmodern visual art

In the visual arts, postmodernism is associated with a group of New York artists – including Sherrie Levine, Richard Prince and Cindy Sherman – who were engaged in acts of image appropriation, and have since become known as The Pictures Generation after a 1977 show curated by Douglas Crimp.

By the 1980s postmodernism had become the dominant discourse, associated with “anything goes” pluralism, fragmentation, allusions, allegory and quotations. It represented an end to the avant-garde’s faith in originality and the progress of art.

But the origins of these strategies lay with Dada artist Marcel Duchamp, and the Pop artists of the 1960s in whose work culture had become a raw material. After all, Andy Warhol was the direct progenitor of the kitsch consumerist art of Jeff Koons in the 1980s.

Postmodern cultural identity

Postmodernism can also be a critical project, revealing the cultural constructions we designate as truth and opening up a variety of repressed other histories of modernity. Such as those of women, homosexuals and the colonised.

The modernist canon itself is revealed as patriarchal and racist, dominated by white heterosexual men. As a result, one of the most common themes addressed within postmodernism relates to cultural identity.

American conceptual artist Barbara Kruger’s statement that she is “concerned with who speaks and who is silent: with what is seen and what is not” encapsulates this broad critical project.

The discourse of postmodernism is associated with Australian artists such as Imants Tillers, Anne Zahalka and Tracey Moffatt.

Australia has been theorised by Paul Taylor and Paul Foss, editors of the influential journal Art & Text, as already postmodern, by virtue of its culture of “second-degree” – its uniquely unoriginal, antipodal appropriations of European culture.

If the language of postmodernism waned in the 1990s in favour of postcolonialism, the events of 9/11 in 2001 marked its exhaustion.

While the lessons of postmodernism continue to haunt, the term has become unfashionable, replaced by a combination of others such as globalisation, relational aesthetics and contemporaneity.The Conversation

Daniel Palmer, Senior Lecturer, Art History & Theory Program, Monash University

This article is republished from The Conversation under a Creative Commons license. Read the original article.

Derrick Jensen – Naturality’ of hierarchy and our culture of violation 

Photo by Mike Von on Unsplash

19.04.2025 à 21:43

DGR News Service

Texte intégral (921 mots)

A Wild Earth Day!

On April 22:

Meet free-roaming bison and baby prairie dogs!                                                                             Learn about oceans that need us and fires that don’t!                                                                     Take a fast trip through human history, from cave art to the current mess!                                       Get inspired by tales of resistance and songs of love!                                                                         All donations go directly to help fund our annual conference.

And you can double your impact by giving during A Wild Earth Day!

A dedicated activist has offered to sponsor this year’s conference through her small business in Philadelphia. Richter Renovations will match gifts during the Earth Day fundraiser, up to $2000.

So get your biophilia on and mark your calendars! 6PM PST/9PM EST.

https://www.facebook.com/deepgreenresistance

DGR CONFERENCE!

The annual conference will be in Philadelphia this year, August 1-5. Derrick and I will both be there. The conference is always a weekend of radical fun and friendship so let your enthusiasm build!

Click here for full information.

USA TOUR!

And we could really use your help. Since we are going to be traveling across the country, we want to make a whole tour of it. If you want to host us for a talk, we’ll go anywhere.

We’re calling it the “Don’t Cancel Me Tour.” The t-shirts will be easy; the events will take some courage. But we believe in you. I never guessed saving the planet would start with facing down the Cancel Mob, but here we are. Drop us a note (contact@deepgreenresistance.org) if you want to help.

STORE!

Our website is undergoing a massive overhaul. A new section is now complete–the DGR store! We have beautifully designed t-shirts and hoodies in a rainbow of colors, all of them declaring loving loyalty to the living planet. Check it out here.

HELP!

We can’t do any of this without your generous donations. We want to say thank you with some awesome premiums.

If you donate $100, you get some free books.                                                                                   For a $200 donation, you get books and the t-shirt of your choice.                                                     For a $500 donation, you get all the above and a batch of (in)famous gluten-free brownies.             For a $1000 donation, all of that plus a private Zoom call with Derrick and the bears.

So check out our merch, put on your courage, and no matter what: find what you love, defend your beloved.

Stay strong!
Lierre (and Derrick and Deanna)

PLEASE DONATE

Wild Earth Day

 

Deep Green Resistance Inc

PO Box 903
Crescent City, CA 95531-8002

Banner Photo by Shamblen Studios on Unsplash

 

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